Contents

• ACKNOWLEDGMENTS
• ABBREVIATIONS

• INTRODUCTION
• PART ONE—  MUSICIANS AT ST PETER'S
  • Chapter One—  Before the Hiring of Northerners:  1380-1447
  • Chapter Two—  Northern Musicians at St. Peter's:  1447-1513
  • Chapter Three—  Organs
  • Chapter Four—  SPB80 and the St. Peter's Manuscript Tradition
  • Chapter Five—  The Patronage of Northerners at St. Peter's
• PART TWO—  MASSES:  ATTRIBUTIONS AND ASSOCIATIONS
  • Chapter Six—  Musical Connoisseurship
  • Chapter Seven—  Faugues:  Attribution and Association
  • Chapter Eight—  Caron:  Attribution
  • Chapter Nine—  Martini:  Association and Attribution
• PART THREE—  NORTHERNERS AT ST. PETER'S AND THE CULTURAL POSITION OF POLYPHONY
  • Chapter Ten—  Contrapuntal Allusions in Polyphonic Masses
  • Chapter Eleven—  Northern Polyphony, Northern Composers, and Humanist Rhetoric
  • Chapter Twelve—  The Changing Status of Northerners at St. Peter's
  • Appendix One—  Archival Records Pertaining to Music at St. Peter's
  • Appendix Two—  Musical Personnel at St. Peter's, 1421-1508
  • Appendix Three—  Nationality of St. Peter's Singers (1447-1513), Known or Presumed
  • Appendix Four—  Inventory of SPB80 and List of Manuscript Abbreviations
  • Appendix Five—  Occurrences of the Motive d-f-e-a' in Works from circa 1430 to 1470

• BIBLIOGRAPHY